Skip to content

Cart

Your cart is empty

Enjoy 10% off

On your first order with us and get early access to new collections and more.
Stone for the selective: The Second Life of a Precious Resource

Stone for the selective: The Second Life of a Precious Resource

Hon-komatsu stone has an illustrious pedigree: it has been used for the graves of emperors and the walls of castles. It can be found in zen gardens and contemporary homes. It is the preference of those who appreciate its unique texture and multi-colored patina.

It comes from a single hardened lava flow that’s 400,000 years old. Sourced in just one town in all of Japan — Manazuru Town in Kanagawa Prefecture — it is considered one of Japan’s finest stones. It’s also a dwindling resource. 

Because of its scarcity and its status as a prized stone, it becomes all the more important to make use of every last piece. 

 


Bringing Hon-Komatsu Back from the Grave

One of the more common applications of hon-komatsu stone is in the making of headstones. The founder of TOU married into a family that makes headstones, and saw a way to contribute his efforts to try and minimize waste of this non-renewable material. 

Making headstones results in large chunks of off-cuttings that TOU repurposes into smaller but distinctive decor objects, like vases and trays. The stonemasonry techniques used are purposefully free-form so that the stone’s shape can emerge organically.  

The sculptor doesn’t approach an initial block of stone with an image of the final outcome in his head. Instead, he reacts to the form the stone seems to want to take.

 

The Wabi-Sabi of Stone

One of the trademark features of hon-komatsu is the rust-colored surfaces that occur naturally.

Depending on how the stone was exposed to the elements, some faces will have rich brown-reds that contrast nicely with the blue-greys of the interior stone. This dynamism is part of what makes the stone such a high-grade choice. It also gives the stone a distinctive character. 

 

Between the variant colorations and textured forms, the resulting stone pieces have a distinctive wabi-sabi character. No two are alike, and the credit for the character of the piece is almost entirely down to the material’s intrinsic properties — the sculptor’s role is to allow the stone to express itself.

The aim isn’t to standardize, but celebrate the unique character that makes this type of stone so refined.  

Selecting a hon-komatsu piece comes down to trusting your instinct. By evaluating the options with an open heart and clear mind, you will be able to identify the forms that resonate the most with you, that you feel will fit just right in your space.

“Maybe it’s not a stone many would choose. Out of 100 people,
99 might pick something else. But if even one person thinks,
“This is the one,” I want them to treasure that feeling.”

Stories

Every piece of japan comes with a story

Stone for the selective: The Second Life of a Precious Resource

Stone for the selective: The Second Life of a Precious Resource

TOU takes off-cuttings of one of Japan’s most precious stone types and creates vases and trays that highlight its unique character. With the wabi-sabi features of the stone center stage, their proc...

Read more
The Longer Path: Crafting Ceramics Through a Collaborative Process

The Longer Path: Crafting Ceramics Through a Collaborative Process

POJ Studio collaborated with Okuda-san of Oogoya for over a year to get the Shigaraki Collection just right. Mutual respect and creative partnership allowed both teams to translate the tradition of...

Read more
Bringing Stonework of Japanese Gardens Inside Modern Homes

Bringing Stonework of Japanese Gardens Inside Modern Homes

As part of the team carrying on seven generations of legacy stonework at Nishimura Tōrō-Ten, Ishiura Kenji set out to bring stone craftsmanship beyond the garden and into the modern home.

Read more
Kazuto Yoshikawa, Reawakening Dormant Techniques

Kazuto Yoshikawa, Reawakening Dormant Techniques

Kazuto Yoshikawa guided a collaboration to revive the traditional wood-bending techniques of a Mie Prefecture multi-generational frame workshop, resulting in a striking interior design element for ...

Read more
The Weight of 400 Years

The Weight of 400 Years

Carrying on the legacy of 16 generations of potters, Hosai Matsubayashi is the human embodiment of the evolution of tea culture in Japan. Find out through this documentary how he pursues Kireisabi ...

Read more